The article presents part of the work developed by the Bride of Winds. Through a testimonial narrative, Tatiana Cardoso puts the concepts of physical training into relation.
The text is enriched by an in-depth description of the daily training, as experienced first hand by the author.
Iben Nagel Rasmussen's legacy forms the grounds for thinking about the relevance of group theater in the face of contemporary theatrical performance.
Authors such as Jerzy Grotowski, Eugenio Barba, Gilles Deleuze and Iben Nagel Rasmussen herself are put together to intertwine the life of The Bridge of Winds.
The article is published in both Englishand Portuguese.
Revista Brasileira de Estudos da Presença ( the Brazilian Journal of Presence Studies) is a Brazillian magazine that publishes works from theoretical studies, practical experiments, controversial and current research, reflections and debates, seeking to offer its readers quality texts, both from national researchers and translations of works by foreign researchers.
The editorial line of the journal includes innovative topics and methodologies that are not widely publicized, emphasizing experimentation and contemporary approaches, as well as publishing already established works in terms of form and/or argumentation. The idea of Presence works for the editorial line as a catalyst through which perspectives of research and analysis converge that emphasize creative processes, especially in theater and dance.
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